And 'certainly a duty to learn and develop the thought of Woodns about this topic. The painter took almost never expose. The motivation, the reasons for this choice, is not well understood, although many times had this opportunity. And above all this happened over the years in Switzerland, when he met patrons willing to fund a possible staff. But, he did not even in later years when economically could cope with such an event, in the perspective of what, exactly, was urged by family members. He refused all the opportunities that were offered, including those served on a silver platter. One of these, in fact, was to be able to display, in the eighties, in Campione d'Italy. The children used to say: "The exhibitions will you, when I am dead."
That was his way of getting to their insistence on time. Curiously, however, almost never refused invitations to competitions and collective. Competitions, which he won and sometimes she loved, such as the Grape Festival Mendrisio, an event that takes place every year outdoors and for this he especially appreciated. We triumphed in 2001 and stood always at the forefront in subsequent years. As a collective, however, made it really low, the last was the prestigious, cited in the previous chapter.
- Home
- HIS INCREDIBLE STORY
- The Childood
- The youth
- The bet on the art
- The short-term naive
- The spatula and Switzerland
- The game and the horses
- The work
- The garage exit
- The sanguin and the cuttlefish
- The Portraits
- The watercolor
- WOODNS and the shows
- The pastel
- Finish years: The Sphinx
- Journey's End
- The mystery of the abstract
- The Mystery: Second part
- The mystery third part
- CONTEMPORARY ARTISTS GALLERY
- Donatella Saladino
- Jasna Dragun
- Johann Sebastian Wieczorek
- Mabe
- Koray
- Nygren
- Santo Paolo Guccione
- 利亚Leah
- Amed Mebarki
- Dranga Silviu Marian
- Marino Lecchi
- Mario Selloni (Marsel)
- 周成光- Zhou Chengguang
- Michele Valenza
- Rosalia Valente dos Santos
- Andri Sergiou
- Salvatore Romano
- Youssef Sadek
- Silvia Marieta
- Gianantonio Marino Zago
- Massimo Pacilio
- Tribute to Vincenzo Pacilio
- Maurizio Ganzaroli
- Luca Grippa
- Mustapha Rajaoui
- Jesper Schytt
- Jana Skolaudyovà
- Rémi Granier
- Vittorio Vanacore
- Maurizio Farina
- Thu Nguyen
- Pieter Zandvliet
- Emilio Romero Rodrìguez
- Pancho Alvarez
- Martin Rodolfo Rodriguez
- Claudio Bagagli
- Omar Porras Marin
- Enzo Fasoli
- Gattonero
- Kylous
- Shota Voskanyan
- Alejandro Jorge Tremps
- Carol Caron
- Nietto
- Jivko Sedlarski
- Magdalena Krenkova
- Tribute to Jan Florian
- Lupi Katy
- Nelson Laganà
- Jutta Brandt-Stracke
- Lili
- Gian Rino Ortelli
- Angela Bogaard
- Pasquale Mastrogiacomo
- Tolemaios
- Nelli Scalabrino
- Luigi Fiorin
- Marco Landi
- Alberto Rizzi
- Lucia Nicolai
- Domenico di caterino
- 杨 海峰 - Yang Hai Feng
- 刘勇良 - Liu Yongliang
- Joachim
- Danijel Babic
- Tavor art mobil
- Marinela Rusu
- Moniasogni
- Wilko
- Dorian Flòrez Zuleta
- Piero Racchi
- Edwige Giraud
- Maurizio Caggiano
- Marianna Mordocco
- ZONENKINDER
- Catherine Désenfant
- Panov Igor G.
- Serge Thibault
- Lesia Kvyk
- SANGIL
- Ivan Garza Pedroarena
- Alice Ghignone
- Beth Wittenberg
- Angelo Lazzano
- Nadia Turella
- At the races- Chronicle
- Dark series - Comment
- Critical Notes
- Animated History of WOODNS
- Curiosity
- News of the artists activity
- Contacts
- Foto Gallery