Marianna Mordocco

Marianna Mordocco ,the immortality of a portrait






Marianna Mordocco ,

The immortal and indiscreet
Portrait glamor.


As in the particular case of the teacher and perfectionist Claudio Bagagli , here we meet another teacher witness and representative of our time. A painter who also offers us his personal exposure of the " reality of the present." Using in its interpretation , and in particular in some of his works , objects and subjects , taken in worship , and belonging exclusively to today . This exclusive feature is evident in its beautiful representations of the assumption and now popular combination of " Women and engines ." A vision so devoid of any anachronism , pure and simple , as is the here and now , the present. Another of his artistic prerogative , it is the oil portrait . Depictions excelled , to which she , with her particular stretch , he manages to faithfully apply its law. " Intransigent The legality of the contemporary. " A field of this portrait painting , which in the succession of different ages and in all cultures , has been significant changes , regarding its palatability and apprezzabilità , both by clients that by the artists themselves. Inevitably affected by the influences ideological , cultural, political, and if we recently also technological . A striking example of this last statement, is represented by the role played by the invention of photography and its immediate use in the last two centuries. This technique quickly , supplanted especially portraiture painting , replacing it with the immediate , and above all cheaper camera . Art valuable too, now that space is also in museums, with the memorable shots of his teachers . Art immediate and fleeting , as it is momentary observation and feeling . Perceptions very different from the observation of a painting , able to communicate not only the pure image, but also the meticulous patience of the artist, his feelings , his personal vision of the world, and not that in the case of a portrait , the relevance of the context, and what matters most to our hedonistic image . We could say that is the difference that makes the difference , and stating that in the last two hundred years, the portrait painting , especially the purely figurative has greatly affected . But now we are in a new millennium, and in this second decade of the art of portraiture as a new renaissance and post- dark ages , is slowly recovering foot , and who knows not born a new and well-established current . Marianna with his intuition , his sensitivity and especially its fine art, certainly part of these new followers and masters of portraiture . And who knows , that avendogli commissioned a portrait, one day we realized , that is enviable as that of " Dorian Gray" .




His personal exposure the "tangibility of this" ... L 'use of objects and subjects, I began to worship, and belonging exclusively to today.



Representations of the popular duo "Women and engines." Depictions where he can apply his law ... "The law's uncompromising contemporary."



In this second decade of the art of portraiture ... is slowly recovering foot.



"I was born and raised in Como has always been interested in art and drawing since kindergarten so much so that I was often praised by teachers for their skill in coloring and in depicting the tales of the week, until the age of 14 I decided to enroll at the Art U.Boccioni Como, to expand my knowledge of the visual arts, photography and graphic design.
The diploma of Master of Arts of the last five years, then decided to enhance my experience in what the business world today offers, throwing on the illustration for children and digital graphics so by enrolling in the school of applied arts Milan Art & Post and obtaining a certificate of Illustrator designer.
  The passion for painting came in 2009 and still run oil portraits and landscapes on commission and passion for ... "


Marianna Mordocco



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