The mystery of the abstract

The day was still warm in October 2007, Woodns was sketching a picture in his box-office with the door open. Unbeknownst to her, a mobile phone, the took some photographs. When he saw, he ceased to work and listen to him who was watching him. From those shots give birth to a sequence, we can show and comment here. A section which, as the title suggests, leaves room for some unexplainable events on which it is worth meditating. From the outset, this series of frames was rediscovered by accident a few months after his death, making a shiver down my spine to observers. Heartbeat was found that increased when the finished work.
But now analyze sequence. In the first image you can see the artist who sketched a great eye, drawing three vertical lines central, outside the main subject is at the bottom and at the top, as if to divide the space into two distinct areas. A first and a second half to the left to the right, where some elements are repeated almost symmetrically, while others are part of him in their areas. This can be seen better in the second photo, which offers a broader vision: the artist here are entering numbers into two elements surpassed the right. In the next back to work on the left, it is important to note here the printed lines on the sweater. And now we look closely at the box that gave rise to our speculation. Woodns, having noticed the presence of someone, is going to turn around, and the camera captures him in this pose emblematic, where it seems inscribed perfectly on the right side of the eye, while the lines of the pullover give continuity to the sections of the painting.
Also note that the charcoal in his left hand seems to have a linear extension that goes to indicate a precise point in the drawing. But what is most amazing is that 9 is observed within a diamond. Because it has the resounding? Simply because the 9 is linked to the day of his disappearance.
(Continued on next page)

<<< Journey's End - The mystery of the last abstract Part II >>>