Nadia Turella was born in Rome on 13.02.1963 where she lives and works.
His passion for modern and contemporary art was born almost by chance in the early 90's, and he was immediately fascinated.
From that moment on, he intrigued the study of this artistic genre, considered by many critics and scholars of art c.d. Traditional "non-art, other art, different art, transgressive art, particular art, desecrating art, non-traditional art, alternative art, and more."
He is passionate about the artistic history of many artists of clear, living fame, such as Mimmo Palladino, Mimmo Rotella, Alberto Burri, Pierre Arman, Gedmon, Christo, Fountain, Andy Warhol, Turkish, Ha Schult and others.
In particular, Mario Schifano for photographic use and for anemic landscapes, Pierre Armann for c.d. "Sculpture pictures" and Alberto Burri for plastic processing.
It works by self-taught plastic using the "combustion" and c.d. "crunching" technique, using a thousand phon details, creating voluminous bare-handed lacerations because only in this way it can hear the matter.
He is considered not an artist but a simple performer, because he believes that each artist with whom he relates can teach him new techniques - whether they are born from an in-depth study and a careful search that those born of a simple instinct and gesture - and consequently transmit them Great emotions (this is also the case with street artists cues that with children).
Likewise, he believes in the importance of dealing with artists of various kinds, growing not only artistically but also humanly and emotionally, listening carefully to the judgments from the non-technical spectator and above all the more skeptical, directed and spontaneous, c.d. Belly but also criticism based on wisdom and knowledge coming from the great connoisseurs of the artistic world (historians, critics, scholars, gallerists, others).
Being an autodidact and not having attended an appropriate training course, his first works (year 2004) were revised and corrected, experimenting with every material he came into contact with (flames, acrylic paints, fixatives, various glues and more).
The materials it considers basic and working on are of a different kind (cloth, rice paper, packed cardboard, wood panels, iron, canvases and more).
It started timidly with small dimensions until it came to large size (up to three meters).
His technique can be defined as polymateric, since he loves to work with different materials individually or assembled (paper, plastic, mirror, cloth, lace, pearls, silk flowers, copper leaves, Silver and gold, glitter or purplish, shells, iron, ceramics and more).
He believes in the "recycle technique" and thus in the value of giving life to an object that society considers as waste or waste, as it is devoid of any usability, transforming it into a painting or sculpture.
In October of 2015 - after being selected, along with another hundred Artiste women throughout Italy, by a technical art commission - published two works ("L'Angelo", measuring 120 X 120 and "Marica-Glamor", measure 100 x 100) on the catalog of modern and contemporary art entitled "Women in Art - The Eternal Feminine and Firework by Camille Claudel to Today" - First Edition, published publication in 506 of the monthly ARTE Mondadori, ARSEV Ars et Evolutio, Artistic Director Arpinè Sevagian - Editorial Consultant Sun Scalpellini and Araxi Ipekjian.
After the publication, the catalog was presented online and later in different cities (Milan: on Expo 'from 01.05.2015 to 31.10. 2015, Forli' from 6 to 9 November 2015: on the occasion of the 19 th edition art Forli ', Padua from 13th to 16th November 2015: on the occasion of the 26th exhibition of modern and contemporary art market, Forli' from 18th to 20th March 2016: on the occasion of the 14th edition paint fair fair - artists and cultural associations at the fair) .
His main interest is to intrigue even a single spectator, catching his attention even if for a short time, just because the emotion of a finished work is not closed within the soul of the one who made it But go into the right empathy with the one who looks at him.
He realizes his works by keeping in mind Three principles that he considers fundamental in art in general:
"Who lives in art lives twice": both for the artist and for the spectator.
"Art is everywhere": in any form, art, painting, photography, sculpture, disigner, architecture, gastronomy, tailoring, leather goods, gardening, jewelery, athletics, sports, dance, music, Fiction, acting and more), exalts beauty and as such is universal, as such belongs to all;
"Art looks and is not judged": emotion is subjective and hence the same work can be loved, hated, or completely indifferent.
Appreciated in his work, he has been involved in artistic and personal events throughout the country and abroad for several years.
