Woodns was never a real portrait, despite having spent several days in that type of activity and having sold several. Many times during the summer, would stand with the stand and an empty chair in the most crowded by tourists and there, for little money, engages in the portrait. Observation, those faces paintings lacked most of the time the special characteristic that must possess this type of framework, that is, almost the perfection of similarity.
Sometimes been criticized for that deficiency, and then defended himself saying, "If you want a picture, go to the photographer." In some ways you could not even agree with him, because in fact the artist sees you in his own way, perhaps, is capable of capturing aspects and expressions that ordinary mortals escape. This is exactly what was said on the day of his funeral. The parish priest, Don Renato, who had been by his portrait, he based his homily on this very topic. Stressing that his effigy, at first glance, not perfectly modeled on its features, but added that he realized after a more detailed analysis, noting the stretch of the eye, that the design was very similar, or even more. Portrayed perfectly what is deepest, hidden traits of his soul. The perfect identikit of what we, with our daily thousand masks, we try to hide. And that is our true essence
In contrast art experts judge his portraits, among all the works he has left us, the most sublime.
- Home
- HIS INCREDIBLE STORY
- The Childood
- The youth
- The bet on the art
- The short-term naive
- The spatula and Switzerland
- The game and the horses
- The work
- The garage exit
- The sanguin and the cuttlefish
- The Portraits
- The watercolor
- WOODNS and the shows
- The pastel
- Finish years: The Sphinx
- Journey's End
- The mystery of the abstract
- The Mystery: Second part
- The mystery third part
- CONTEMPORARY ARTISTS GALLERY
- Donatella Saladino
- Jasna Dragun
- Johann Sebastian Wieczorek
- Mabe
- Koray
- Nygren
- Santo Paolo Guccione
- 利亚Leah
- Amed Mebarki
- Dranga Silviu Marian
- Marino Lecchi
- Mario Selloni (Marsel)
- 周成光- Zhou Chengguang
- Michele Valenza
- Rosalia Valente dos Santos
- Andri Sergiou
- Salvatore Romano
- Youssef Sadek
- Silvia Marieta
- Gianantonio Marino Zago
- Massimo Pacilio
- Tribute to Vincenzo Pacilio
- Maurizio Ganzaroli
- Luca Grippa
- Mustapha Rajaoui
- Jesper Schytt
- Jana Skolaudyovà
- Rémi Granier
- Vittorio Vanacore
- Maurizio Farina
- Thu Nguyen
- Pieter Zandvliet
- Emilio Romero Rodrìguez
- Pancho Alvarez
- Martin Rodolfo Rodriguez
- Claudio Bagagli
- Omar Porras Marin
- Enzo Fasoli
- Gattonero
- Kylous
- Shota Voskanyan
- Alejandro Jorge Tremps
- Carol Caron
- Nietto
- Jivko Sedlarski
- Magdalena Krenkova
- Tribute to Jan Florian
- Lupi Katy
- Nelson Laganà
- Jutta Brandt-Stracke
- Lili
- Gian Rino Ortelli
- Angela Bogaard
- Pasquale Mastrogiacomo
- Tolemaios
- Nelli Scalabrino
- Luigi Fiorin
- Marco Landi
- Alberto Rizzi
- Lucia Nicolai
- Domenico di caterino
- 杨 海峰 - Yang Hai Feng
- 刘勇良 - Liu Yongliang
- Joachim
- Danijel Babic
- Tavor art mobil
- Marinela Rusu
- Moniasogni
- Wilko
- Dorian Flòrez Zuleta
- Piero Racchi
- Edwige Giraud
- Maurizio Caggiano
- Marianna Mordocco
- ZONENKINDER
- Catherine Désenfant
- Panov Igor G.
- Serge Thibault
- Lesia Kvyk
- SANGIL
- Ivan Garza Pedroarena
- Alice Ghignone
- Beth Wittenberg
- Angelo Lazzano
- Nadia Turella
- At the races- Chronicle
- Dark series - Comment
- Critical Notes
- Animated History of WOODNS
- Curiosity
- News of the artists activity
- Contacts
- Foto Gallery